Companion page featuring examples

Supplementary material to the paper: P. Ramoneda1+, M. Rocamora1 & T. Akama2, “Music Proofreading with RefinPaint: Where and How to Modify Compositions given Context”, in Proc. of the 25th Int. Society for Music Information Retrieval Conf., San Francisco, USA, 2024.
1 Pompeu Fabra University, Barcelona
2 Sony Computer Science Laboratories, Inc. Tokyo
+ Work carried out at Sony Computer Science Laboratories, Inc. Tokyo


Case of study on amateur compositions

Participants used a straightforward proofreading interface that enables bar selection for regeneration, allowing them to choose how much of the content to keep in certain sections of their work. Thus, the user can choose whether the first iteration of RefinPaint process and regenerate the entire selected fragment. Additionally, we provided users with the flexibility to change the tokens within the RefinPaint selection. We allow them to experiment with the tools doing as many trials as they want.

After testing our inpainting tool on a 30-second music piece, participants responded to questions about their experience.

Subject 1

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Case of Study on Inpainting

Experiment 1

Experiment 2

Experiment 3

Experiment 4

Experiment 5

Experiment 6

Experiment 7

Experiment 8

Experiment 9

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Experiment 11

Experiment 12

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